Abstract
This study aims at reaching the emerging global thinking around the relations of access to digital artistic content available on the internet. Through the appointments of the intersection between the knowledges of the law, anthropology, philosophy, physics and art - organized in a multidisciplinary way - the present scientific narrative is build. Initially, a brief history of the idea of constructing copyright in the global context is presented. Subsequently, the digital object is analyzed as material to produce art in the contemporary context. Then, the post-internet cultural phenomenon is observed, so that the current Brazilian Copyright Law System can be inquired due its limits and openings. Finally, the 'Creative Commons' is presented analytically in the face of current demands in the follow of the contemporary understanding around copyright.
Highlights
Creativity is the highest human attribute and the earliest records of its expression are linked to those of humanity itself
The cave paintings in Europe and Indonesia, and the sculptures of the Paleolithic Period of Prehistory are prior to writing as it is known today (Santos, 2009)
In Europe, bibliographic reproductions were made as manuscripts in a very small scale
Summary
Creativity is the highest human attribute and the earliest records of its expression are linked to those of humanity itself. The droit d’auteur, which means the right of the author, is the result of norms approved by the Constituent Assembly in France in 1791 and 1793, as a result of the end of the privileges of the publishers from the French Revolution. This regime is the reverse of copyright; it is concerned with the creativity of the work to be copied and the moral rights of its creator, as pointed out by Santos (2009). New thoughts on this problem are pointed out from the Creative Commons system, presenting it, not as a solution, but as a possibility
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