Abstract

Percival Everett has published almost thirty books of fiction in forty years, and The Trees is his 22nd novel. It revisits ideas from Everett’s earlier works while asking questions that, in some ways, tie his oeuvre together—these questions can be linked to temporality and history, problematic literary ideas such as post-postmodernism, and both racialised trauma and the flawed cultural concept of the postracial. In this article, I argue that The Trees specifically problematises claims of the postmodern end of history by suggesting that African American literary narrative can productively reckon with a history of mistreatment by literally digging up the past and actively (impossibly) changing it.

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