Différentes représentations cinématographiques de la séquestration à travers six films

Abstract

Different cinematographic representations of the sequestration through six films. We are interested here in the motives of the sequestration by classifying them in four groups: ideological mobiles (for an English film, Crying games), erotic mobiles (for an American film, The collector, and a Spanish film, Atame), Psychotic with an American film, Misery, a Mexican film, El castillo de la pureza, an Australian film, finally, Bad boy bubby. We will draw the conclusion that the sequestered do not revolt, thinking that everything is done for their good.