Abstract
Abstract: Nørager takes his point of departure in the observation that in modernity “love” has increasingly and undisputedly acquired the status as the fundamental attribute of God. This in turn, however, has made a theology of love vulnerable to the critique leveled by Ludwig Feuerbach, who argued forcefully that God's love in reality was nothing but humanity's ideal of perfect love. Briefly rehearsing two of the most important solutions to this conundrum (Søren Kierkegaard and Anders Nygren), Nørager finds both of them unduly polemical toward “natural” love, leaving us with the idea of a dichotomy or inner opposition between human and divine love. Instead, Nørager points toward a new theology of love where eros and agape are recognized as differing aspects within a continuum of love, and where human and divine love are perceived as mirroring one another.
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