Different singing styles in mated and unmated Reed Buntings Emberiza schoeniclus

Abstract

Ewin described two singing styles, “rapid” and “slow”, in the Reed Bunting Emberiza schoeniclus. My research has demonstrated that the prevalence of song styles is related to male mating status. Songs of mated and unmated males differed in the interval structure, number of syllables per song, number of frequency modulations per syllable and number of introductory syllables. Since both singing styles are uttered at the same intensity, it is not likely that they are parts of a continuous range and it is justified to treat them as two different song categories. After losing their mate, males sang like unpaired males and therefore a learning effect can be excluded. Both singing styles were directed to females, the slow one probably only to the mate. The use of these singing styles as a means of territory or mate defence cannot be excluded, but, if so used, it would seem to be of minor significance.