Differences in Peripheral Vision Between Contemporary Dancers, Folk Dancers and Non-Dancers

Abstract

Abstract Introduction. In stage performances, dancing requires synchronous connections, choosing paths in space, forming, balancing shapes, adjusting tempo and energy, as well as partnering. Therefore, in addition to proprioceptive abilities and central vision, peripheral vision is used to a large extent. Will the role of peripheral vision be relevant in selected dance styles and techniques? The aim of this study was to compare peripheral perception between contemporary dancers, folk dancers and non-dancers. Material and Methods. The study included 126 individuals. This group consisted of 48 contemporary dancers, 19 folk dancers and 58 non-dancers (the control group – students who did sports other than dance). The Vienna Test System was used to assess peripheral perception. Statistical analysis of the results was performed using a one-way analysis of variance (ANOVA). Results. Interpretation and analysis of the test results indicate that the dancers’ visual range is relatively large, averaging 175.3° for contemporary dancers and 175.58° for folk dancers. As for the control group, the visual range was 172.64°. In the case of peripheral vision, statistically significant differences were noted between the control group and the contemporary dance group (p < 0.01) as well as between the control group and the folk dance group (p < 0.05). Conclusions. Contemporary and folk dancers did not show variation in peripheral vision. However, differences occurred between dancers and non-dancers. It was noted that the studied groups of contemporary and folk dancers had a better range of visual functions related to the peripheral visual field than the control group.