Abstract
Chuah Thean Teng, through continuous experimentation and improvement, has upgraded Batik from a traditional craft to an artwork with cultural significance and national characteristics. His son and grandson are also trying to develop batik painting. The primary purpose of this study is to explore the batik works of artists from different periods. The results show that from the first to the third generation of Chinese artists, their creations have gradually pursued stylistic diversity from their original focus on cultural significance. This study contributes to the dissemination of batik art.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
