Abstract

The use of Wit oemfaan (F.A. Venter) in an imagological framework for the teaching of Afrikaans as additional language The multicultural additional-language classroom has its own characteristics and requirements. An important element to keep in mind is that learners come from different cultures and all of them have their own perceptions of themselves, their own and other cultures. These perceptions can lead to conflict – something the educator has to deal with. Opportunities can be provided to work through the conflict and thereby facilitate intercultural understanding. Learners can be encouraged to become aware of their own stereotypes of the Other, which are influenced by historical and social realities and based on misperceptions. In order to grow in intercultural understanding, learners have to let go of their stereotypes and become willing to integrate the Other into their own identity. This article attempts to indicate why and how learners can be made aware of national and ethnic stereotypes in a youth text such as Wit oemfaan (1965) by F.A. Venter. The main aim is to train teacher educators at tertiary level to facilitate the learning process in an integration model for literature teaching by using imagology as theoretical framework. The teaching strategies aim to make the learner aware of the narrative voice and focalisation in the representation of stereotypes. The learner is guided to be confronted with the Self in the story, who is in unusual contact with the Other. This intercultural encounter in the secondary world of the literary text leads eventually to the maturation of the main character and can facilitate the maturation process of the additional-language learner of Afrikaans in the Further Education and Training phase at school.

Highlights

  • This article attempts to indicate why and how learners can be made aware of national and ethnic stereotypes in a youth text such as Wit oemfaan (1965) by F.A

  • Op hierdie manier kan leerders aangemoedig word om bewus te word van hulle eie stereotipes van die Ander, wat beïnvloed is deur historiese en sosiale werklikhede en dikwels op wanopvattings gebaseer is

  • Hierdie interkulturele ontmoeting in die sekondêre wêreld van die literêre teks lei tot die hoofkarakter se groei tot volwassewording en kan ook die volwassewordingsproses van die addisioneletaal-leerder van Afrikaans in die Verdere Onderwys en Opleidingskoolfase fasiliteer

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Summary

Inleiding

Die onderrig van Afrikaans as addisionele taal geskied binne ’n konteks wat gekenmerk word deur multikulturaliteit en veeltaligheid, waar Afrikaans nie sonder meer van primêre belang is nie. Die keuse van die imagologie as teoretiese raamwerk hou verband daarmee dat enige opvoeder wat betrokke is by die onderrig van letterkunde in ’n multikulturele Suid-Afrika, kennis behoort te neem van die konteks van leerders wat individuele verskille met hulle saamdra. Moyo (1997:44) meen dat die inherente leerprobleme wat voorkom wanneer leerders ’n addisionele taal moet bemeester, verminder kan word as skole prioriteit verleen aan kulturele en kruiskulturele bewusmaking. Die hoofdoel van die artikel is enersyds om te motiveer waarom ’n teks soos Wit oemfaan ’n geskikte jeugteks is, en andersyds om te illustreer hoe imagologie as teoretiese raamwerk gebruik kan word in die opleiding van opvoeders op tersiêre vlak vir die onderrig van jeugtekste waarin stereotipes uitgebeeld word (Kruger, 2002:217)

Redes vir die keuse van Wit oemfaan as jeugverhaal
Interkulturele versoenbaarheid
Integrasie in die kurrikulum
Onderrig volgens ’n integrasiemodel
Narratief
Identiteit en alteriteit in Wit oemfaan
Slotopmerking
Full Text
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