Abstract
The name “Heidi” is known and loved all over the world, due to Swiss author, Johanna Spyri’s works, Heidis Lehr- und Wanderjahre (1880) and Heidi kann brauchen, was es gelernt hat (1881), which form part of the classic international children’s literature canon. These stories have since crossed national boarders, by manifesting transnationally in several culture products. The focus of this article lies on the transnational traffic between the original Heidi (1881) and its adaptations. Because “Heidi” as a cultural phenomenon contains universal themes, the product was able to spread globally. This journey stretches from the Swiss Alps, to Japan and finally finds a home in South Africa and Afrikaans. Included in the article is an overview of how the Heidi text manifested in several cultures and its transnational movement, spanning time and place. The popularity of the animation series in South Africa among Afrikaans speaking people is analysed, along with suggestions for possible reasons for this big following and prevalence . The central argument of the article is that “Heidi” as cultural product has had a transnational journey from the Alps, to anime and Afrikaans.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.