Abstract
Diasporas of Art: History, the Tervuren Royal Museum for Central Africa, and the Politics of Memory in Belgium, 1885–2014 Author(s): Debora L. Silverman Source: The Journal of Modern History, Vol. 87, No. 3 (September 2015), pp. 615-667 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/682912 . Accessed: 01/10/2015 20:48 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Modern History. http://www.jstor.org This content downloaded from 164.67.16.55 on Thu, 1 Oct 2015 20:48:40 PM All use subject to JSTOR Terms and Conditions
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