Abstract
Objects are not just ‘objects’ but are connected to people and memory. My paper asks: how can objects help authors write from diverse experiences? I answer this question through a diasporic lens. Objects of ritual have strong importance in Judaism and cultural objects are often passed down throughout the generations. I analyse examples from writers, theorists, and curators, including Mark Baker and his memoir Thirty Days (2017); object theorist Bill Brown; Mireille Juchau and her essay ‘The Most Holy Object in the House’; postmemory theorists Marianne Hirsch and Leo Spitzer; curator Alla Sokolova; Marie Kondo and her use of the Japanese term ‘mono no aware’ (the pathos of things), and my own poetry collection Amnesia Findings (2019). Through this research, I arrive at a closer understanding of how objects can help writers respond to complex and hybrid experiences using memory-objects, and by writing through Things.
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