Abstract
Abstract Is the world the site of diaphany where one encounters the ‘transparency of God in the universe’ in a Teilhardian fashion, or should one give credit to von Balthasar's insistence that the cosmos can never serve as the final meaning of revelation since divine revelation is best conceived as God's unsurpassable work of art, the epiphany of divine glory over against the cosmos and human history? This paper seeks to explore the contours of two different conceptions of the natural world as God's creation and as the site of revelation. While, in passing remarks throughout his treatment of the form of divine glory, von Balthasar is repeatedly dismissive of the Teilhardian vision, he seems to overlook entirely the real significance of the Teilhardian endeavour, which is directed towards seeing a different and yet essentially similar form, that of the Christiform cosmos. Far from representing a kind of naive ‘new naturalism’ (as von Balthasar contends), Teilhard de Chardin's theology ultimately gets very near the same via tertia heralded by his Swiss confrère.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
