Abstract
Le beau livre de Diana Holmes part d’un double constat. D’abord, du point de vue de la reception, la « litterature moyenne », traduction francaise assez maladroite de middlebrow, merite beaucoup mieux que le mepris dans lequel elle est systematiquement maintenue. Car tout comme le highbrow (en francais la « production du champ restreint ») et le lowbrow (dont la traduction francaise « litterature populaire » est egalement minee de cent et un malentendus), le middlebrow fait partie integr...
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