Abstract
To start a research on the application of dialect in movies and their formation causes and social functions, we must place the questions into specific social and cultural background and examine the relations between dialect, mainstream language and the cultural views of audiences. This paper attempts to take Chinese movies as a starting point to discuss heterogeneity issues in filmic culture by tracing back the history of dialect development and its contemporary cultural conditions. Such thought roots in two aspects. One is “verfremdungs effect of cultural heterogeneity” of dialects and the second is “the multiple natures of cultural heterogeneity”.
Highlights
To start a research on the application of dialect in movies and their formation causes and social functions, we must place the questions into specific social and cultural background and examine the relations between dialect, mainstream language and the cultural views of audiences
As a commonly used pronunciation standard, mandarin originally developed from northern dialect
In developing countries where tradition and modern phenomenon co-exist and which are deeply influenced by cultural colonialism (Note 2) and globalization, it is no wonder that dialect, as an important element that has rich sound images, becomes a focus in topics of the diversity of Chinese movies
Summary
To start a research on the application of dialect in movies and their formation causes and social functions, we must place the questions into specific social and cultural background and examine the relations between dialect, mainstream language and the cultural views of audiences. In developing countries where tradition and modern phenomenon co-exist and which are deeply influenced by cultural colonialism (Note 2) and globalization, it is no wonder that dialect, as an important element that has rich sound images, becomes a focus in topics of the diversity of Chinese movies.
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