Abstract
Abstract This article examines the methodological, epistemological, aesthetic, and affective tensions between the promise of diagrammatic representation and the practice of discursive expression in Robert Burton’s The Anatomy of Melancholy (1621, first edition). It closely interprets the Anatomy’s tabular logic and analytic claims per se and in conjunction with Burton’s inductive, imaginative prose. While the discursive gathering of copious particulars aims to cure and to console, by ‘rectification’ and ‘recreation’ respectively, the synoptic tables introducing the book’s three partitions represent the ambiguous promise of human scientia, thus becoming yet another cause of melancholy. Compared with other early modern instances of tabular and encyclopedic reason, and interpreted in light of recent scholarship on the diagram, Burton’s tables play a critical, subtle role not only in the Anatomy’s invention and arrangement of topics, but also on the local level where the struggle for meaning and the experience of affect occurs.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
