Abstract
Extending Norman Denzin’s innovations in ethnography, and reflecting his concerns with cultural interpretation and visual media, this article offers a multimedia excursion into the conjunction of ballroom dancing and relational theory. By creating a relationship between multiple media (photography and videography) and modes of human communication (poetry, prose, dance, visual art), the article brings forth possibilities not contained in any one alone. Simultaneously, the authors attempt to expand on the implications of relational theory. Through visual art, poetry, and prose, the authors discover new facets of what it means to be related and variously bring into focus issues of aesthetics, gender, power, and the dynamics of daily life.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
