Abstract
The acoustic characteristics of studios have always been of even greater importance than the characteristics of live auditoria because the listener is divorced from the visual cues which can aid concentration and the direction of attention. Background noise acquires a much enhanced ability to mask the desired sounds, while imbalances in the frequency response can create unnatural sensations and the acoustic perspective created may even conflict with the general aim of the programme. Probably because of the early appreciation of the requirements of acoustic design, dramatic changes in recent years have not been necessary and the emphasis has rested more on the economic provision of acceptable conditions in small spaces.
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