Abstract

India has a wide scope of materials regarding plan, procedures, colors utilized and strategies. Indian material history has been layered and advanced by subtleties of transitory weavers, unfamiliar attacks and strict impacts. The wide scope of plan and weave, explicit to the area of theirorigin,are magnum opuses upgraded by the aptitudes of the specific skilled workers and their custom. Material planning is tied in with making designs for fabric which can be utilized in different applications. Bhatnagar (2002) states that materials have been delivered in India since relic. The creation and advancement of Indian material has an ancient birthplace. Nonetheless, not many of the old plans actually exist. One explanation is that material has for some time been viewed exclusively as an article of utilization, instead of as a work of art and plans are lost through regular mileage. Everyone mourns about the perishing artistic expressions of the nation in which Kurumba painting is one. Developing Jacquard Woven Saree With Kurumba Tribal Painting

Highlights

  • Kurumba, a tribal group living in the southern part of India in the states of Tamilnadu, has a rich heritage of painting

  • Kurumba painting selected for the study was Prayer for rain

  • The majority (89 – 95%) of retailers, weavers, designers, merchandisers, students student, designers, weavers, retailers has articulated that the design was excellent. 81 - 85% faculty members, working women, working men, students, 73% of fashion design students and 71% of faculty members has echoed the same opinion

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Summary

Introduction

A tribal group living in the southern part of India in the states of Tamilnadu, has a rich heritage of painting.

Experimental Procedure
Prayer for Rain
Results and discussions
Conclusion
Full Text
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