Developing Encounters between Chinese and Western Art: The Contribution of Two Jesuits in China in the Seventeenth and Eighteenth Centuries

Abstract

This article explores the introduction and influence of Western art in China during the Ming and Qing dynasties, focusing on the role of the Jesuits—especially Matteo Ricci (1552–1610), one of the founders of Catholic missionary work in China—and the most famous and influential Western figure in China’s art history, Giuseppe Castiglione (1688–1766). The Jesuits recognized art’s potential in their missionary efforts. The article examines the varied responses of Chinese literati to Western art theories in the 17th and 18th centuries, and how Jesuit-introduced artistic concepts were assimilated within different Chinese contexts. It also investigates how Western art merged into Chinese culture, noting the linguistic integration of concepts like chiaroscuro. In Ricci’s time, Western art intrigued the Chinese, but deep acceptance and conceptual transformation were limited. The assimilation of Western techniques was not as widespread as expected. In the 18th century, due to restrictions on Christianity, the religious role of painting diminished. Castiglione’s hybrid style, though influential in the Qing court, faced challenges in gaining cultural acceptance from the Han literati, leading to more criticism than in Ricci’s era. Despite these challenges and varying receptions, the contributions of Ricci and Castiglione to the Sino–Western art exchange are significant, reflecting the complex interplay of art, religion, and cultural dynamics across these periods.