Abstract
ABSTRACT This article proposes to establish a zone of indiscernibility between the domains of art and education. To do so, it confronts documents related to both legislation and educational research, with some gestures performed by the artist Nelson Leirner in a situation of pedagogical ambience, highlighting the problem of the demand for meaning. It evokes analytical procedures operated in three texts by Michel Foucault. His company allows taking representation as an operation that would go beyond the mere act of representing as re-presenting the truth. Such way of taking representation, in a performative one, leads to the forge of the exile as a methodological strategy for investigating practices, in their unique modes of operation and effects.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
