Abstract

Digitisation of natural history collections has evolved from creating databases for the recording of specimens’ catalogue and label data to include digital images of specimens. This has been driven by several important factors, such as a need to increase global accessibility to specimens and to preserve the original specimens by limiting their manual handling. The size of the collections pointed to the need of high throughput digitisation workflows. However, digital imaging of large numbers of fragile specimens is an expensive and time-consuming process that should be performed only once. To achieve this, the digital images produced need to be useful for the largest set of applications possible and have a potentially unlimited shelf life. The constraints on digitisation speed need to be balanced against the applicability and longevity of the images, which, in turn, depend directly on the quality of those images. As a result, the quality criteria that specimen images need to fulfil influence the design, implementation and execution of digitisation workflows. Different standards and guidelines for producing quality research images from specimens have been proposed; however, their actual adaptation to suit the needs of different types of specimens requires further analysis. This paper presents the digitisation workflow implemented by Meise Botanic Garden (MBG). This workflow is relevant because of its modular design, its strong focus on image quality assessment, its flexibility that allows combining in-house and outsourced digitisation, processing, preservation and publishing facilities and its capacity to evolve for integrating alternative components from different sources. The design and operation of the digitisation workflow is provided to showcase how it was derived, with particular attention to the built-in audit trail within the workflow, which ensures the scalable production of high-quality specimen images and how this audit trail ensures that new modules do not affect either the speed of imaging or the quality of the images produced.

Highlights

  • Digital imaging of large numbers of fragile specimens is an expensive and time-consuming process that is likely to be done only once

  • The Global Plants Initiative (GPI) project (Royal Botanic Gardens Kew 2019, JSTOR 2018a, JSTOR 2018b) specification of 600 PPI resolution is linked to the use of flatbed scanners, which were the main type of digitisation equipment when the recommendation was produced

  • The Meise Botanic Garden (MBG) digitisation workflow supported the digitisation of 100,000 specimens (2.5% of the collection)

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Summary

Methods

Designing an Herbarium Digitisation Workflow with Built-In Image Quality Management. Abraham Nieva de la Hidalga‡, Paul L Rosin‡, Xianfang Sun‡, Ann Bogaerts§, Niko De Meeter§, Sofie De Smedt§, Maarten Strack van Schijndel§, Paul Van Wambeke§, Quentin Groom§.

Introduction
Imaging
Image processing
11 Publish digital specimen
Generate JPEG 2000 derivatives
Related work
Conclusions and future work

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