Abstract
Presenting a hard-to-predict typography-varying system predicated on Nazi-era cryptography, this paper illustrates conditions under which unrepeatable phenomena can arise, even from straight-forward mechanisms. Such conditions arise where systems are observed from outside of boundaries that arise through their observation, and where such systems refer to themselves in a circular fashion. This illustration aims to show the dilemma of scientific design research: Objective outsiders are mystified while those subjectively involved understand.
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