Abstract

AbstractThis study examines the student experience of a third sector graphic design project in an international context. Inspired by a humanist and socially conscious perspective that was originally set out by Ken Garland's ‘First Things First’ manifesto in 1964, the project developed into a collaborative learning experience for African and European students. The aim of this project was to develop student global citizenship and mobility through a cultural learning experience in a very different environment with challenging resources and social conditions. Using student interviews and evidence from their reflective journals, this article analyses how UK design students participated and negotiated the implementation of live projects in an African context, specifically Mozambique. It also examines the wider impact on the cohort of students and friends who did not travel to Africa but followed the experience online. Risk taking, experimentation and an appetite for enquiry are attributes that students are encouraged to develop, but they can equally apply to teachers and lecturers as they develop their curricula. Within the framework of university learning, teaching and assessment strategies space can be found for design educators to look beyond corporate and conventional consumer outlets to a more socially conscious and community focus without borders.

Highlights

  • Graphic design education in higher education may be considered to be vocational and focused on teaching a highly technical, digital skill-based curriculum

  • In a highly competitive higher education environment where there are many courses offering an industry focus and attractive employability prospects, graphic design pedagogy has to look for something different to deliver to students that will make them standout from the crowd

  • Experimentation and an appetite for enquiry are attributes that students are encouraged to develop (Steers 2009; NSEAD 2014), but they can apply to teachers and lecturers as they develop their curricula

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Summary

Introduction

Graphic design education in higher education may be considered to be vocational and focused on teaching a highly technical, digital skill-based curriculum. Within the framework of university learning, teaching and assessment (LTA) strategies space can be found for design educators to look beyond corporate and conventional consumer outlets to a more socially conscious and community focus without borders. The aim of this project was to develop student global citizenship and mobility through a cultural learning experience in a very different environment with challenging resources and social conditions. Using student interviews and evidence from their reflective journals this article analyses how UK design students participated and negotiated the implementation of live projects in an African context, Mozambique It examines the wider impact on the cohort of students and friends who did not travel to Africa but followed the experience online

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