Abstract
This article is deals with the tragedy of the Aral Sea, which today has become a global problem not only in Uzbekistan but also around the world, and its negative impact on humanity. The article analyzes the play "The Lonely Boat" by E.Azam, given how deeply the playwright's knowledge of national life, poetic skills, style, reveals the inner world of the heroes (national image, thoughts, psycho-psychological drama).
Highlights
It is well known that the visual subject of the arts of drama and cinema is based on action
Through the comments we find a convincing answer to the question of how E.Azam's eyes "saw" those events and how he "heard" the words of the characters, and we partially follow him
It is clear that Aral Bobo, seemingly insane, is a man of deep devotion and wings
Summary
It is well known that the visual subject of the arts of drama and cinema is based on action. Cinematography, which is an integral part of screen art, was formed on the basis of technical means. It brought together creative staff such as writer-dramatist, director, actor, cameraman, painter, composer into a single team and popularized it as a type of artistic creation. The form of an independent work should be of both literary and cinematographic nature, reflecting the content and the structure of the film to be created. It is important to combine such factors as the scale of the prose, the sharpness of the drama, the lyrical subtlety of poetry, the brightness of the image, the musical fluency, the sharpness of the dialogues
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