Abstract
Abstract The purpose of this study is to show the importance of theatre and theatrical theory in Kant’s philosophical thought by reconstructing his relationship to the dramatic arts and how they shaped his thinking - that is, how he developed a theory of acting which is central to understanding not only his conception of society but also the role played by pragmatic anthropology in his critical system. Indeed, one can say that his theory of the art of acting leaves nothing to be desired in comparison with Diderot’s philosophical program as expressed in the “Paradox of the Actor”, which is considered one of the most important texts on acting in the history of aesthetics.
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