Abstract
Abstract This article traces the marks Jens Baggesen has left in German literature and its history. It depicts Baggesen’s relations and strong bounds to his contempories around 1800, the feud with the Romantic poet Achim von Arnim and the gradual shift into oblivion in the progress of the 19th century, and at last the enigmatic glimpse that is given in R.M. Rilkes Die Aufzeichnungen des Malte Laurids Brigge. Moreover it asks for reasons why Baggesen fell through the cracks of literary history, which can be explained through the rising nationalism and the according formation of strict national philologies, to which the bilingual Baggesen emerged as a figure of neither-nor.
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