Abstract
Using Itten’s Color Contrasts as a starting point, we performed a depth-based analysis of a set of paintings by the Hudson River school of landscape painters. This was compared to a similar analyses of a collection of contemporary ‘snap shot’ landscape photographs. Differences between the two groups were observed with the paintings being clearly more organized. This organization of contrasts can be considered a style that is representative of a school of painters. Photographs or optically acquired imagery can be rendered according to this organization to acquire an aesthetic that has been informed by this style.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
