Abstract
In the art of the Christian East, the depictions of the martyrdom of Saint Ignatius Theophorus, bishop of Antioch, can usually be found among the illustrations of the Menologion. The scene from the monastery of Novo Hopovo, dated to the 1600s, is one of the rare independent depictions of Saint Ignatius?s martyrdom. The paper discusses the iconography of this scene and possible reasons for placing it in the prothesis of the katholikon of Novo Hopovo. The inclusion of a scene showing the martyrdom of the bishop of Antioch into the thematic repertoire of this compartment is a solitary example in Serbian medieval and Byzantine monumental painting.
Highlights
У уметности хришћанског Истока представе страдања анонимни грчки зографи извели су у проскомидији светог Игњатија Богоносца, епископа Антиохије, срећу се најчешће у оквиру менолошких циклуса
The church dedi- painters of the fourteenth-century, a period from which cated to Saint Nicholas was painted on two occasions
1608, the naos and the sanctuary were decorated in fres- natius are known
Summary
У уметности хришћанског Истока представе страдања анонимни грчки зографи извели су у проскомидији светог Игњатија Богоносца, епископа Антиохије, срећу се најчешће у оквиру менолошких циклуса. In the art of the Christian East, the depictions of the martyrdom of Saint Ignatius Theophorus, bishop of Antioch, can usually be found among the illustrations of the Menologion. The scene from the monastery of Novo Hopovo, dated to the дата композиција означена је као „мучење светог. Приликом осликавања зидних површина наоса и олтарског простора главне цркве фрушкогорског манастира Новог Хопова почетком XVII столећа[1] qui ont participé à la peinture murale des régions sous la juridiction du Patriarcat de Peć pendant sa rénovation (1557–1690), Balkan Studies 24/2 (1983) 501–503; M. 1. Страдање светог Игњатија Богоносца, проскомидија главне цркве фрушкогорског манастира. Мелетија на падинама Китероне у Беотији (1573– 1592),[20] у нартексу манастира Галатаки на Евбеји
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