Abstract
“Sakristan” is a 20-minute film series with eight episodes directed by Darryl Yap; it shows that love goes beyond religion and gender. The research analyzed if there are sources of inaccurate portrayals that may have harmful repercussions such as hatred, oppression, and stereotypes toward the LGBTQ+ community. The study employed a qualitative content analysis method wherein the researchers observed the film’s mise-en-scene in relation to its dialogues to better understand how ‘Sakristan” portrayed the LGBTQ+ community. By utilizing Burke’s (1945) Pentadic Analysis, Green and Brock’s (2000, as cited in Green et al., 2004) Narrative Transportation Theory, and Queer Theory, results show that there is a pervasive presence of stereotyping and mockery as prominent ideologies within the series, the portrayal of oppression through the mise-en-scene of Sakristan (2020) varied across different scenes, and negative implications constructed various forms of oppression that were evident in the whole series which were powerlessness, exploitation, violence, and marginalization. Within the context of globalization and expanding reach of media, cinematic productions possess the capacity to transcend geographic and cultural limitations, diffusing LGBTQ+ identities to a global audience. Furthermore, this serves as a reference to develop a deeper understanding toward the community and how society can promote inclusivity worldwide. This also allows the media to know their potential to exert influence on international perceptions and attitudes toward queer individuals.
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More From: Academia Lasalliana Journal of Education and Humanities
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