Depiction of Caste Annihilation and Class Abrogation in Mulk Raj Anand’s UNTOUCHABLE and COOLIE

Abstract

Since civilization has started caste system based on profession not by birth. Later on it turns into a power game and the whole human society were divided into four varnas. Manusmriti, widely regarded to be the important and authoritative book on Hindu law and dating back to at least 1000 years before Christ was born ‘‘acknowledges and justifies the caste system as the basis of order and regularity of society .’’(Web ) The caste divides Hindu into four main categories – Brahmins, Kshatriyas, Vaishyas and Shudras. Many believe that the groups originated from Brahma , The Hindu God of Creation. They are classified according to occupation and determine access to wealth , power and privilege. In recent years Violence has become a common phenomenon in India. It has engulfed the entire political, social, economic, cultural and even our personal lives. Violence of social justice and caste discriminations of complex characters have added additional burden to our society whereas we Indians have been specially advised to practice “non-violence”. The growing trend in violence thus provokes us to talk about non-violence and identify the roots of violence in India. Caste Violence is perhaps one of the most hazardous forms of violence in India. It often intermingles with the most political, social, cultural, and class atrocity. So caste discriminations and atrocities against the socially weaker sections with age- old traditional and unconventional norms deserve a careful historical investigation. Indian Caste system is the most widely discussed subject all over the world. Caste system is a social evil in which the higher caste people exploits and persecutes the lower caste people and forced them to live sub-human lives like beasts. This paper is based on caste and vulgarism of ‘Untouchable’ and ‘Coolie’ poignantly portrayed by M R Anand. It is an attempt to explore its origin, nature, gravity, and deprivation.