Abstract
This article traces the development, method, and mission of Denver’s Romero Theater Troupe, beginning with its origins at the University of Colorado Denver. The article also connects the troupe’s process and foundation to the important antioppression work of Paulo Freire and Augusto Boal. The Romero Troupe has developed an all-volunteer, arts-based approach to community organizing and pedagogy that provides a unique model for today’s weakened labor movement. The troupe’s “organic theater” also provides a challenge to traditional forms of pedagogy that exclude too many students from working-class backgrounds.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
