Abstract
Photos of demonstrations in Egypt have been overwhelmingly used in online news since the revolution of January 25, 2011. This article explores the visual aspects of demonstration photo albums during the political conflicts in Egypt that led to two Egyptian revolutions.1 It scrutinizes the different types of photo albums, considers the differences and similarities between photo album frames and still photograph frames, and implements syntagmatic analysis of demonstration albums. The article concludes that visual framing occurs through nonchronological and sequential syntagmas.
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