Demirci Küpeler Köyü Camii Duvar Resimleri

Abstract

As a result of the increasing relations of the Ottoman Empire with the West as of the 18th century, a new art environment was born, and a new type, called mural, emerged in the decoration art. This decoration approach, which primarily became popular in the palace and its environment in Istanbul, spread all over Anatolia in the course of time. Contrary to Istanbul, it is observed that, especially mosques were adorned with plaster and engravings in Anatolia. In these decorations, made by painted decoration masters or master groups, western influenced motifs as well as various religious and symbolic depictions were also included. Since many of these masters performing their art by traveling from village to village refrained from putting their signatures on their works of art, their names are generally unknown. However, it is possible to come across some masters’ names, though not many. In the Demirci Küpeler Village Mosque, which we studied, it is noteworthy that the names of the master builder, as well as the illuminator and calligrapher who performed the engravings, were given. Although the mosque has a plain exterior appearance, its interior is adorned with a rich painted decoration. Religious calligraphy scripts were also used along with decorations. In our study, the building is discussed in detail, with respect to its plan and characteristics.