Abstract
Ob poglobljenem pregledu slogovnih tendenc glasbe v prvi polovici preteklega stoletja in z njo povezane strokovne terminologije predstavljamo v prvem delu disertacije tudi najsodobnejše pomisleke različnih glasbenih teoretikov in muzikologov o dosedanjem razumevanju glasbenega modernizma, neoklasicizma ter tradicije v glasbi 20. stoletja.
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