Abstract
Judging by their titles, immateriality would seem to be the shared theme of these two books. The first, Objets en proces : apres la dematerialisation de l’art, clearly indicates the inflection of the notion given in the sub-title. Objects are “in progress.” Derived from a symposium held at Geneva University in 2009, titled Le Temps d’un ecart : sculpture/objet 1950-2009, this volume brings together a set of reflections on the materiality of the object in its shaping relations to the processes...
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