Abstract
ABSTRACT: Dramaturg and director Rachel Ditor examines the Obstructions program at Vancouver’s Progress Lab 1422. The Progress Lab is an organization made up of many of Vancouver’s most popular and well-established physical theatre companies. In the Obstructions program, each company is set the task of creating a performance based upon those aspects of their practice that most challenge them. The performance is then “judged” by their peers. Ditor examines the particular type of risk this represents, as well as the collaborative theatre culture that makes this program possible.
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