Abstract

Deleuze and Guattari’s concept of art (the logic of sensation) has been interpreted in the context of the opposition between modernism and contemporary art, and then it is either attributed only to modernism, which gives priority to the aesthetic dimension of art, or it is argued that we must see its potential to create “new connections.” These opposing views are expressed by Stephen Zepke and Simon O’Sullivan. However, Deleuze and Guattari’s artistic sensation is not a sensory perception, it is the main concept of their logic of sensation, encompassing both the sensory and the conceptual-virtual dimensions. In the article, I seek to demonstrate that Deleuze and Guattari’s artistic sensation, encompassing both of these dimensions, relates to the general context of Deleuze and Guattari’s philosophy and resonates with the aesthetic and semantic dimensions of contemporary art projects. Discussing Thomas Feuerstein’s installation Prometheus Delivered I demonstrate in what ways the notion of the logic of sensation expands the field of the interpretation of this work of art.

Highlights

  • These opposing views are expressed by Stephen Zepke

  • it is the main concept of their logic of sensation

  • I seek to demonstrate that Deleuze

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Summary

Sigita Dackevičiūtė

Deleuze’o ir Guattari meno samprata (jutimo logika) atsiduria priešpriešos modernizmas versus šiuolaikinis menas kontekste ir tada ji arba priskiriama tik modernizmui, teikiančiam pirmenybę estetinei plotmei, arba teigiama, kad turime įžvelgti jos potencialumą kurti „naujas jungtis“. Šias priešingas pozicijas išreiškia Stephenas Zepke ir Simonas O’Sullivanas. Tačiau Deleuze’o ir Guattari jutimas nėra estetinė percepcija, jis yra pagrindinis jutimo logikos konceptas, apimantis ir juslinę, ir konceptualią-virtualią plotmes. Straipsnyje siekiu parodyti, kad Deleuze’o ir Guattari jutimas, apimantis abi minėtas plotmes, susisieja su bendru Deleuze’o ir Guattari filosofijos kontekstu ir rezonuoja su šiuolaikinių meninių projektų estetine ir prasmine plotmėmis. Analizuodama Thomo Feuersteino instaliaciją Prometheus Delivered parodau, kaip Deleuze’o ir Guattari meninio jutimo samprata išplečia šio kūrinio interpretacijos lauką. Pagrindiniai žodžiai: Deleuze’as, Guattari, jutimas, konceptas, šiuolaikinis menas

Meno filosofija
Jutimo logikos santykis su fenomenologija
Jutimo logikos virtualūs aspektai
Jutimo logika Thomo Feuersteino kūrinyje
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