Deixis in KamaNu and Karimi’s Kimeru song and dance lyrics

Abstract

This study sought to examine the semantic roles of the deictic expressions in these songs by finding out the types of deixis in KamaNu and Karimi’s song and dance lyrics and, secondly, establish the semantic roles of these deictic expressions. The study, which adopted a descriptive qualitative research design, was carried out in Meru and Nairobi Counties in Kenya. The target population consisted of two native Meru artists. Data from twelve songs, six from each artist, were generated through six video recordings, observation, and note-taking of the actual live performances in social functions: three for each. Through Cruse’s theory of deixis, the study established that Kimeru song and dance lyrics by KamaNu and Karimi utilised person, spatial, temporal and social deixis in their songs, with person deixis predominating. Deixis, in these songs, serve to engage the listeners and structure the discourse. The study recommends listeners pay more attention to these expressions for an appropriate discernment of the intended meaning as these expressions carry implicit messages rather than explicit and can thus be interpreted uniquely in different contexts. It is hoped that the study will advance the body of knowledge by bringing academic focus to fostering a deeper comprehension of deixis in songs and dances.