Abstract

The main goal of the article is to provide an analysis of the idea of defamiliarization and its manifestation in Bruno Schulz’s The Street of Crocodiles and Jonathan Safran Foer’s Tree of Codes. The author makes an attempt to define defamiliarization, investigate Viktor Shklovsky’s interpretation of defamiliarization and Bertolt Brecht’s Verfremdung, study the creation history of Tree of Codes, and analyze the examples of defamiliarization in both texts.

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