Abstract
During the Cultural Revolution, Mao’s portrait and quotations were everywhere in China. This modern form of cult was manifested in two ways: the cult of the Leader’s personality through the use of his likenesses and quotes by government authorities and the populace, and the defilement of the objects emblematic of the Leader by certain individuals. Based on an analysis of newly discovered archives on a number of cases involving defaced portraits, photos, and quotations of the Leader, this article reveals the micro-level mechanisms of political events, by which the “enemies” were identified and treated, and further tackles some theoretical issues concerning defacement, stigmatization and de-stigmatization, and the allegation of counter-revolutionary crimes in political campaigns.
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