Abstract
This essay offers an explanation for the highly stylized and expressive defacement of political campaign posters in the streets of Kabul, Afghanistan, that occurred during the 2009 presidential elections at the height of NATO’s war in the country. I argue that the practice of mutilating faces of candidates displayed on posters and the targeting of specific facial features is the handiwork of Islamist-tribal symbolic code Islamic iconoclasm, and sympathetic magic. It is the latter that animates the images of candidates thereby making them subjects shamed and dishonored through the violence of defacement, a practice that mimics the more painful symbolic inscriptions etched mostly on the faces of breathing women in Afghanistan.
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