Abstract

For humanists of the 15th and 16th centuries the literary motive of Daedalus and Icarus became a basis for discussions about the attitude of a man towards both other men and the world. The elitarian, “philosophical” character of this motive is emphasized by its scarcity in plastic arts of that period and, on the other hand, by its great popularity in the moral and emblematic literature. Here was the Renaissance somewhat a heir of the mediaeval Ovide moralisé.

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