Abstract

Interest in philosophy and the humanities increased after the Second World War, especially in the West, as the critical movement began to reconsider the Western intellectual and philosophical heritage, and emerged approaches known as” postmodernism“, as critical foundations of Western cultural thought, and a product of that cultural and cognitive movement known as” postmodernism"; the concept of postmodernism, which is central This term is associated with a very diverse group that is rarely associated with each other with common things. The idea of postmodernism appears in a critique of the literary and philosophical trends on which modernism was based, and some theorists and philosophers believe that postmodernism is closely related to the social and political transformations that took place in industrial societies such as the postindustrial or knowledge society. Deconstruction is important critical movement as well as controversial, and no theory in literary criticism has provoked waves of admiration and created a state of aversion and resentment as well, as deconstruction has done in contemporary literary thought. Deconstruction emerged in the 1960s as a reaction to structuralism, the dominance of language, the centralization of the mind, and the dominance of linguistics over all fields of knowledge, and from the 1970s deconstruction became a literary critical methodology, and a mechanism for evaluating rhetoric and interpretation. Deconstructionism is mainly a critique of the structural proposition, which has been working to reveal the basic structures responsible for the most noticeable features of social and cultural interaction, since deconstructionism consistently negates the meaning in the text system and analyzes the margins, gaps, expectations, contradictions and conclusions within the texts, as formulations that contribute to the disclosure of the background of language and structure.

Highlights

  • Derrida, who was born in 1930 and matured as a young man with the beating of World War II drums, had tangible influences on architecture and even contributed directly to the design process with the famous architect Peter Eisenman in the Lafayette Park project in the support and instigation of the architect Bernard Chome

  • We review the most important criticisms, as the deconstruction itself was subjected to another deconstruction, especially from the United States of America, and they noted that deconstruction first: an ambiguous philosophical vision in its theoretical and methodological presentation, and that its concepts and concepts are more complex, difficult and vague

  • Second: deconstructionism as a radical ideology imbued with Karl Marx's revolutionary ideas, it counts on the politics of the left; third: deconstructionism attempts to decentralize the mind using other rational foundations; and fourth: it is an anarchist nihilistic philosophy that tries to destroy historical intellectual foundations but is unable to break them

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Summary

INTRODUCTION

Derrida, who was born in 1930 and matured as a young man with the beating of World War II drums, had tangible influences on architecture and even contributed directly to the design process with the famous architect Peter Eisenman in the Lafayette Park project in the support and instigation of the architect Bernard Chome. Derrida saw architecture as a kind of creative writing, it is a way of practicing life, and he called for what defined architectural differences or differences, where architecture can create places where desire. Revised Manuscript received on February 12, 2021.

FOUNDATION OF DECONSTRUCTION
DECONSTRUCTING IDEAS AND DECONSTRUCTING CONSTRUCTIONS
ARCHITECTURE AND PHILOSOPHY
DECONSTRUCTION AND ARCHITECTURE
CONCLUSION

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