Abstract
If a biography of an artist is supposed to inform criticism and analysis of his output, the lack of a thoroughly researched biography of Fr6d6ric Chopin-as opposed to the proliferation of publications devoted to the analysis and interpretation of his music-may cause mixed feelings. In Chopin's case, the issue is especially important, since many authors of such analyses routinely assume a simple and unquestionable connection between his life and his music. Two
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