Abstract
Grounded in, and in dialogue with, Djaimilia Pereira de Almeida’s Luanda, Lisboa, Paraíso of 2018, this paper interrogates a particular time and place of coloniality and racial capital’s reproduction of Black fungibility in late twentieth-century Portugal, after formal decolonization in Africa and in the wake of Black migratory waves from the post/neo-colony (Angola in this case) to the former metropolis. Almeida’s novel provides a literary intervention in grappling with the economic and institutional reinvention of anti-Blackness in Europe after settler colonialism, while also imagining and inscribing modes of Black being within and beyond the materialities of white supremacy. Towards this end and against the racial, gendered, and ableist logics of capital, the Black body in Almeida’s novel becomes a site through which the relationships between humans and matter as well as mind and body are decolonially revised.
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