Deciphering Sedition in Sab

Abstract

The colliding agendas of abolitionism, feminism, and nationalism that coexist within Avellaneda's Sab (1841) have encumbered a clear ideological interpretation of the novel. If recent scholarship has demonstrated that Sab functions more as a narrative of feminist liberation than slave emancipation, the critical inclination towards the feminist reading—albeit sound—has overshadowed a handful of seemingly anomalous moments in which the title character alludes to slave uprisings. After one of Sab's insurrectionary moments, the narrator even situates the protagonist's remarks, and the white characters' reaction to them, within the context of the prolonged conflicts that comprise the Haitian revolution (1789–1804). The violent language might cause fleeting discomfort or confusion for the white landowners; however, Sab's words do not bring about any disastrous effect. This study will posit that the coalescence of the incendiary speech and the references to the French colony provides Avellaneda with a stratagem that momentarily bolsters Sab's abolitionist capacity while leaving the feminist reading untouched.