Abstract
ABSTRACT This paper takes as its starting point the contention that media representations of crime and policing, and undercover policing in particular, matter. Through a multimodal critical discourse analysis this paper explores the representations of undercover policing and intelligence operations in the animated series Star Wars: The Clone Wars. The paper contends that despite its status as science fiction The Clone Wars engages with several of the real-life practices and challenges of undercover policing and intelligence operations. The overall analysis indicates that The Clone Wars projects an important critique of the morally problematic nature of the militarisation of policing and the routinisation of deceptive undercover policing practices. The paper concludes with a reflection on the consequences of this depiction, arguing that for those practitioners who are willing to engage with representations of their craft in popular culture there are valuable practical lessons to be learned from such fictional accounts.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
