Abstract
Black families traditionally print photographs, poems, songs and sayings in funeral programs as a tribute to the deceased. These artistic expressions, which are part of the black funeral tradition, communicate a theology of death and the afterlife. Yet, the contributions of black, feminist, womanist and pastoral theologies are conventionally ignored in the development of theologies of death. This essay explores the practical implications of using elements of these theologies—black, feminist, womanist and pastoral—to effectively minister to a person with fears, doubts, and questions, and who is facing death. These theologies reveal that death is not the enemy of the dying person who taps into the power of the Incarnation—the “erotic power” housed in human flesh that overcomes and triumphs over death.
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