Abstract

‘Death is the mother of beauty’, wrote the American poet Wallace Stevens in ‘Sunday Morning’. Indeed, some of the attributes of beauty — stillness, calm, repose — are attributes of death (Bronfen 1992). For Freud (1952), death and beauty share a hidden identity; representations of beauty can articulate an anxiety about and desire for death and may be viewed as an aesthetic substitution for it. For Lacan (1986) this means that a function of beauty is to guide us to our own deaths, to present death as a dazzling sight.

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