Abstract
O texto discute idéias predominantes, hoje, nas práticas de conservação de bens culturais móveis no Ocidente. São apontadas, também, algumas tendências de pensamento em diferentes contextos de trabalho, identificando-se eventuais mudanças e semelhanças entre as idéias anteriormente vigentes e aquelas que muito provavelmente sejam, já, um legado para este novo século.
Highlights
This article discusses the prevailing concepts referring to the conservation of cultural heritage collections
Vários personagens do mundo da conservação/restauração têm produzido textos com estas preocupações; é o caso de Paul Philippot, diretor do ICCROM (International Centre for the Study of the Preservation and the Restoration of Cultural Property), que, em texto recente, apresentou as seguintes considerações: “When one examines the evolution of the concept of restoration in the professional literature and colloquia, one sees that interest in this type of question has grown in recent years. The nature of these concerns has been clarified appreciably, to the point that today we may speak unequivocally of conservation as a discipline that is based on method, whereas formerly it was a profession resting on no more than empirical knowledge
In the context of such a change, the relationships that have arisen between two components of modern conservation – that which is relevant to the humanities and that which is relevant to technique and the exact sciences – merit very special attention”
Summary
This article discusses the prevailing concepts referring to the conservation of cultural heritage collections. Todo trabalho de intervenção realizado sobre um objeto, quer de conservação quer de restauração, deveria ser reversível, ou seja: tudo aquilo que fosse realizado por um profissional, hoje, teria de poder ser removido por outro profissional amanhã.
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